In conjunction with his solo show at the new location of TEMPLON Gallery in Chelsea, FIAF presents one of Omar Ba’s most important historical works, Clin d’œil à Cheikh Anta Diop-Un continent à la recherche de son histoire (2017). The artwork, presented on corrugated cardboard spanning the entire height of the FIAF Gallery, pays homage to Senegalese historian and politician Cheikh Anta Diop.

Featured in The New York Times and The New Yorker!

Under the Instagram pseudonym _jeanne_dark_, 16 year-old Jeanne breaks her silence about being bullied in hopes of finding meaningful interactions online. Delicately addressing the pertinent issues of bullying and sexuality, director Marion Siéfert creates a striking work that breaks the fourth wall of theater through intimate live Instagram video.

Based on the Senegalese academic, philosopher and poet Felwine Sarr, this lyrical text is captivatingly performed by Burkinabe actor Etienne Minoungou as an inspiring and imaginative storyteller speaking to his African brothers.

In this powerful, solo dance piece from famed South African choreographer Robyn Orlin, dancer Albert Ibokwe Khoza embodies the creative energy of a younger generation with their intense desire to change society.

This musical theatre performance directed by Dorcy Rugamba brings together the famous political views of poet René Char, psychiatrist and political philosopher Frantz Fanon, and economist Felwine Sarr. The theme, which celebrates diversity and equity at its core, stands against abjection and reminds us of the difficult relationship between individual consciousness and collective fate.

A world premiere staged in Manhattan’s Chinatown, Fire in the Head salutes the tortured genius of the pathbreaking dancer and choreographer Vaslav Nijinsky, who, like many artists today, grappled with the confluence between global and personal crises.

The Encounter blossomed in 2021 from the celebratory energy of choreographer Kimberly Bartosik’s return to the studio post-quarantine. The work is an encounter with oneself, pulling from what we are currently carrying in our bodies—grief, hope, fear, desire, newfound power—and pairs it with our dreams in this moment of reconciliation with time.

In the US premiere of CROWD, the acclaimed French choreographer Gisèle Vienne transports audiences to a 1990’s Detroit rave, and a night spent losing oneself in the crowd.

Moroccan choreographer Fouad Boussouf presents the NY premiere of Näss (People). Inspired by an array of dance traditions, the performance is comprised of a corps of seven dancers that respond to powerful beats of percussion and electronic music.

The late philosopher Bruno Latour worked with director Frédérique Aït-Touati to make the stage a place for “scenic essays” and philosophical experimentation in The Terrestrial Trilogy, a reflection on the need for a profound renewal of our representations of the terrestrial world, living and non-living.

In Caroline Guiela Nguyen’s play FRATERNITY, an ensemble cast of professional and amateur actors take audiences on a wild adventure! In a freak incident, part of the human race disappears from the planet. Those who still remain try to heal and make sense of the unexpected loss, now navigating their world without partners, parents and friends.