In conjunction with his solo show at the new location of Templon Galery in Chelsea, FIAF presents one of Omar Ba’s most important historical works, Clin d’œil à Cheikh Anta Diop-Un continent à la recherche de son histoire (2017). The artwork, presented on corrugated cardboard spanning the entire height of the FIAF Gallery, pays homage to Senegalese historian and politician Cheikh Anta Diop.

Under the Instagram pseudo _jeanne_dark_, 16-year-old Jeanne breaks her silence about being bullied in hopes of finding meaningful interactions online. Delicately addressing the pertinent issues of bullying and sexuality, director Marion Siéfert creates a striking work that breaks the fourth wall of theater through intimate iPhone video.

In Caroline Guiela Nguyen’s play FRATERNITY, an ensemble cast of professional and amateur actors take audiences on a wild adventure! In a freak incident, part of the human race disappears from the planet. Those who still remain, try to heal and make sense of the unexpected loss; now navigating their world without partners, parents and friends.

Based on the Senegalese academic, philosopher and poet Felwine Sarr, this lyrical text is captivatingly performed by Burkinabe actor Etienne Minoungou as an inspiring and imaginative storyteller speaking to his African brothers.

In this powerful, solo dance piece from famed South African choreographer Robyn Orlin, dancer Albert Ibokwe Khoza embodies the creative energy of a younger generation with their intense desire to change society.

This musical theatre performance directed by Dorcy Rugamba brings together the famous political views of poet René Char, psychiatrist Frantz Fanon, and economist Felwine Sarr. The theme, which celebrates diversity and equity at its core, stands against abjection and reminds us of the difficult relationship between individual consciousness and collective fate.

A world premiere staged in Manhattan’s Chinatown, Fire in the Head salutes the tortured genius of the pathbreaking dancer and choreographer Vaslav Nijinsky, who, like many artists today, grappled with the confluence between global and personal crises.

Initiated in the NYC summer of 2021, The Encounter blossomed from the celebratory energy and humble gratitude of choreographer Kimberly Bartosik’s return to the studio post-quarantine. The work is an encounter with oneself, as we dig our lives out of the pandemic.

In the US premiere of Crowd, the acclaimed French choreographer, Gisèle Vienne transports audiences to a 1990’s Detroit rave, and a night spent losing oneself in the crowd.

Moroccan choreographer Fouad Boussouf presents the US premiere of Näss (People). Inspired by an array of dance traditions, the performance is comprised of a corps of 7 dancers that respond to powerful beats of percussions and electronic music.

Philosopher Bruno Latour and director Frédérique Aït-Touati make the stage a place for “scenic essays” and philosophical experimentation in La Trilogie Terrestre, the third installment in what they refer to as ‘lecture performances.’