Based on Joseph Conrad’s first novel, Chantal Akerman updates the story of a Dutch trader living in Malaysia from the 1890s to the 1950s, giving new relevance to this tale of cultural conflict, desire, and despair.

Directed by Chantal Akerman, this examination of the treacherous border between the United States and Mexico, and the immigrant attempting to cross it, foreshadows our current times.

An utterly original self-portrait of an artist, this film allows us to dive into Chantal Akerman’s work and take stock of her immense talent. The film will be preceded by the short But elsewhere is always better, directed by Vivian Ostrovsky.

The discussion will delve into the themes and subjects that infused Chantal Akerman’s films, her process, and the wide-ranging inspirations that contributed to her rich and eclectic body of work.

Melding live music with Chantal Akerman’s words and one of her short films, cellist Sonia Wieder-Atherton creates a touching ode to her long-time collaborator and companion.